A response to Zazzali and Klein’s ‘Toward Revising Undergraduate Theatre Education’ (2015).
Despite its focus on US Higher Education, Peter Zazzali and Jeanne Klein’s 2015 article for Theater Topics, ‘Toward Revising Undergraduate Theatre Education’ has provoked several discussions within our UK-based Research Group. The following series of reflections are an attempt to capture some of our discussions and to draw out some urgent, if familiar, themes.
In their introduction, Zazzali and Klein make two clear statements of intent:
First, we address several interdependent challenges facing undergraduate theatre training and the changing characteristics of today’s students. We then offer initiatives for revising an undergraduate theatre curriculum. (2015: 261)
As a Research Group, with a range of distinct teaching and research areas (including performer training, directing, applied theatre and technical theatre), we offer here, in a series of blog essays, a set of critical responses to the context sketched out in Zazzali & Klein’s essay. With diverse teaching experience and from backgrounds in Greece, Cyprus, South Africa, Malta, the US and England, the group has used the essay to provoke consideration of both parts of Zazzali and Klein’s remit: current challenges and future actions for C21st Theatre Training. In necessarily individual, sometimes strident position statements, we consider an alternative landscape of pedagogical challenge and curriculum revision. Our first essays cover the following themes: employability challenges in the neoliberal context of Higher Education and the means by which they might be countered; technology and pedagogy; interdisciplinarity and research-led teaching; lighting, training and collaboration.
Contributions are by members of the Performance Training, Preparation and Pedagogy Research Group, University of Leeds.