Reflections Task 32 and Task 33 – ‘What if…?’

Dear Maria,

Many thanks for your task 32. Find my reflections on the task below and your new task 33 – ‘What if…?’

Reflections – Breath

Shortly after reading your instructions for task 32 – Breath, I opened an email from Independent Dance in London that advertised a workshop aimed at dance artist named The Breathing Archive. It is described thus:

I was intrigued by the sound of this work and wanted to attend the workshop, but alas, it being in London, that was not an option. What I could do was adopt some of these ideas and fuse it with my Breath task. I don’t know of Anouk Llaurens’ work, so the adaptation invented below is purely from what I imagine components of the workshop might be like.

What I did

Three ideas came to mind from your task and the workshop description:

  • Breathe once, twice etc and inhabit and be present with the breath
  • ‘Crumple and un-crumple printed A4 pages’
  • Texts, scores and pictures that represent a physical manifestation of ephemeral work

I print out 6 pages (I was going to print out our entire 71 pages of Two Trainers Prepare correspondence but didn’t feel it was justified to exploit nature for my reading/crumbling experiment) and lay them out. How can I breathe and be present with the work and relate directly to the documents?

I begin by crumbling the first page while I read out the text. I notice the connection between reading out loud and breathing. Was I ever aware of how/when I breathe when I read? On page two I make a little ‘tick’ on the text for every breath I take while reading. Page three becomes a mark-making experiment where I keep the pen on the paper, I follow my reading with the pen and make a little peak for every breath. Page four takes into account your instruction to breathe more than once. So instead of taking one I take three breaths when stopping to inhale while reading the text out loud. It becomes a question of ‘words-appearing-between-breaths’ rather than the breath merely being a necessity for speaking. Page five is an image from my yoga lore from task 30 and portrays Surya Namaskara A. I practice Surya Namaskara A while crumbling and un-crumbling the page for every breath. Finally, I combine them all for the last page; I read out, I breathe three times when I run out of breath and crumble and un-crumble the page and lift up into Urdhva Dhanurasana. The (un)crumbling reveals a pattern of how the paper folds when the action is repeated. The breathing that connects with this action has a similar quality and I connect with the image Llaurens gives above about the cells breathing and moving. The folds create a landscape across the page and the pages laid out together become an illustration of the stages of the breath.

Task 33 – ‘What if…?’

Thinking about cells and the body as cellular draws my attention to Deborah Hay. Her work has been very influential in my thinking and approach to my own choreographic work. She practices exploring questions in her dance beginning with ‘what if…’, allowing the response to be open and playful. I will borrow a question of Hay’s and give it a twist to satisfy my idea for your next task:

Explore your yoga practice with this question in mind:

‘What if every cell in my body at once has the potential to perceive every breath passing?’

Enjoy

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