Words In, Of and For Performer Training

Reflections on the 2020 International Platform for Performer Training

For three days in January 2020, the University of Kent’s drama department hosted the 7th edition of the International Platform for Performer Training with a focus on how words operate in performer training. The platform was organised and led by Paul Allain, Professor of Theatre and Performance, Stacie Lee Bennett-Worth, PhD candidate at De Montfort University and Honorary Research Associate at Kent, Alicja Bral, PhD candidate at Kent, and Dr Roanna Mitchell, Lecturer in Drama and Theatre also at Kent. The event involved some 50 participants, mostly from across Europe, in a lively mixture of short workshops, presentations, talks and discussion.

Sessions focused on community-based applications of training, voice and text work, languages used in training pedagogies, speaking dreams and inhabiting avatars, verse-speaking and the breath, ideas drawn from Russian and Polish theatre and Grotowski especially, using film for training and how circus tends to ignore the voice. The journal Theatre Dance and Performance Training had a continual presence at the platform, offering itself and this blog as spaces for continuing our physical and vocal dialogues. Here we take up this challenge.

Bennett-Worth created this collage to visually and textually though silently activate some of the energy, ideas and words circulating during the platform, also depicting many of the people involved.

Please click the image below to open in a new window which will allow you to zoom in.

The orginal event call out reads as follows:

Why does Movement Matter?

Explore the past and future of movement as a maker of meaning in theatre. Join world-leading industry professionals including performers, practitioners, directors, teachers and movement influencers for a series of workshops, presentations, discussions and observations.

This one-day symposium will explore the wide-ranging influences that movement has within today’s leading theatres and institutions and will look in more detail at the variety of practices that are now available. We will instigate conversations about the vital contribution movement practice and movement direction make to the industry. There will be open discussion, professional networking and the chance for emerging and established artists to share their work.

This event interrogates and celebrates how this powerful aspect of storytelling in theatre, film and television continues to shape developments in productions and training.

Booking

Tickets £50. Booking is made online, once you have booked your place at the event you will be sent an email requiring your choice of workshops.

https://www.rada.ac.uk/whats-on/movement-symposium/

Schedule

  • 9.15am Registration and welcome breakfast
  • 10am Keynote speaker
  • 10.30am Theatre industry panel
  • 11.45am Masterclass or two short workshops
  • 12.45pm Lunch provided
  • 1.30pm Keynote speaker
  • 2.15pm Industry practitioner panel discussion
  • 3.15pm Masterclass or two short workshops
  • 4.30pm Plenary session
  • 6pm Networking and drinks

Location: RADA Studios, 16 Chenies Street, London WC1E 7EX

Speakers, workshop leaders and panel members include:

Clare Brennan, Mike Alfreds, Vladimir Mirodan, Christina Fulcher, Ruth Anna Phillips, Ita O’Brien, Ingrid McKinnon, Lizzie Ballinger, Paul Christie, Nicola Herd, Hannah Garner, Pascale Lecoq, Jos Houben, Sue Lefton, Jane Gibson, Toby Jones, Nancy Meckler, Annabel Arden, Peta Lily, Vladimir Mirodan, Korina Biggs, Paul Christie, Niamh Dowling, Kate Flatt, Struan Leslie, Tine Damborg, Lizzie Ballinger, and Ayse Tashkiran.

Convenors: Shona Morris (Lead Movement Tutor, RADA), Mark Evans (Professor of Theatre Training, Coventry University)

The Makings of the Actor: The Actor-Dancer

International Conference, Athens 13-24 July, 2020

Hosted by Michael Cacoyiannis Foundation Alkmini Theatre  –   Cartel

Conference Venue: MCF, Alkmini Theatre, Cartel , Athens

The Makings of the Actor: The Actor-Dancer is an international conference held under the auspices of the Michael Cacoyiannis Foundation, the Royal Central School of Speech and Drama,and the Labanarium, organized by Post-doctoral Researcher Dr Kiki Selioni.

Conference Venue: MCF, Alkmini Theatre, Cartel , Athens

The Actor-Dancer conference will be the first of a series of international events under the aegis of The Makings of the Actor. The mission of The Makings of the Actor project is to gather international practitioners and researchers, from diverse fields of performance practice and scholarship, to develop and disseminate (through conferences and workshops) an evolving performance pedagogy that addresses the needs of present and future actors.

For info and booking please visit https://mcf.gr/language/el/%CE%B5%CE%BA%CE%B4%CE%B7%CE%BB%CF%8E%CF%83%CE%B5%CE%B9%CF%82/the-makings-of-the-actor-the-actor-dancer/ or email kiki.selioni@cssd.ac.uk

Keynote Speakers:

Prof. Vladimir Mirodan FRSA, Emeritus Professor of Theatre

Prof. Rob Roznowski  Head of Acting & Directing, Department of Theatre, Michigan State University

Prof. Frank Camilieri Associate Professor of Theatre Studies, School of Performing Arts, University of Malta.

Juliet Chambers-Coe  Director of Labanarium; Laban tutor Rose Bruford College (FDS); Drama Studio London (FDS); PhD researcher University of Surrey  www.labanarium.com

Katia Savrami Associate Professor of Choreology at the Department of Theatre Studies at the University of Patras, Greece.

Ramunė Balevičiūtė Associate Professor in Theatre Studies, Lithuanian Academy of Music and Theatre

Dr. Evangelos Koudigelis Med. Orthopadisch-Traumatologische Darstellung in den epen homers, University Essen Germany.

Dr. Kiki Selioni Affiliate Research Fellow Royal Central School of Speech and Drama University of London.

Call for papers, teaching demonstrations and performances

Stanislavsky asserted: “[o]ur kind of theatre is fragile and if those who create it don’t take constant care of it, don’t keep moving it forward, do not develop and perfect it, it will soon die.” (qtd. in Toporkov, 2004:106). The Makings of the Actor project seeks to explore how those who create theatre can continue to move it forward and develop it, with a particular focus on the training of the actor.

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