International Platform for Performer Training (IPPT) 7th edition: 9-12 January 2020

Department of Drama and Theatre Studies, University of Kent, Canterbury, UK



‘In the beginning was the Word…’  John 1.1


Words in, of and for Performer Training

In the Bible, Words came first. In performance practice, words probably followed movement, dance, art and sounds. Who knows….?  Exploring what comes next, this seventh edition of the International Platform for Performer Training will investigate how words function in, of and for Performer Training across three broad areas:

  1. How the denotative or nonsemantic properties of words in performance are explored through training, and how movement, voice and text can be combined to achieve an integrated mise-en-scène (or not)
  2. How trainers use words in training practice, in order to exhort, encourage, clarify or instruct as well as what they do and don’t say, to whom and when; 
  3. How words that are written about training, be it our own practices today or that of others past or present, might document or act as inspiration for practice. 
Continue reading

Reflections on the IPPT Ghent 2018

The International Platform for Performer Training (IPPT) provides a safe and supportive space for performer trainers and academics to share their research and pedagogical practices. It is organised annually and each year hosted by a different institution. The IPPT 2018 took place in Ghent, and was hosted by the KASK/School of Arts Ghent (Belgium). The theme for this year was Movement, with particular interest in the exploration of movement that does not directly relate to or derive from the European physical theatre tradition. Attempting to widen our understanding of movement and its use in performer training, we gathered to ask questions such as: ‘how does movement stand to dance or choreography’ or ‘how does movement stand to (spoken) language’.

Continue reading