Training to give evidence: Performer training for verbatim, documentary, biographical and autobiographical performance practices
An interim TaPRA event of the Performer Training Working Group, hosted by Northumbria University, 11th May 2016, 11am – 6pm
Verbatim, documentary, biographical and autobiographical performance practices are prolific forms of theatre in the 21st Century. Hosted by Northumbria Performing Arts, ‘Training to Give Evidence’ is a one day event that seeks to explore the specific performer training processes that these various forms might require, and to map out commonalities and differences in diverse approaches. The event brings together practitioners with researchers and combines scholarly papers, with provocations, performances and demonstrations of practice.
Participants at the symposium are invited to use this blog throughout the day as a virtual ‘post it’ space in which to raise questions and offer responses to the presentations and conversations that they are engaging in. The idea behind this is to share the discussions taking place with a wider audience, extending and opening up the potential for dialogue. Delegates are also invited to tweet responses throughout the day, using the hashtag #trainingtogiveevidence
Please feel free to use this as a space to add to comments on the day as well as to keep conversations going beyond the day itself.
See Jonathan Pitches summary of the day here:
I am taken by Richard’s final remark ‘all our work is an art of portraiture’. Does verbatim theatre complete a full circle to naturalism (in theatre) and hyperealist painting ( in visual arts)? Is it a post-postmodern response to the conceptual abstraction that has dominated 20th c art?