Sarah Davey-Hull: Passing It On

Take it, feel it, and pass it on. Not for me, not for you, but for someone, somewhere, one day. Pass it on, boys. That’s the game I want you to learn.

Alan Bennet, The History Boys (2004)

Sarah Davey-Hull (1965-2022) was luminous. When she entered a room, you knew ‘it’ was going to be alright. At the celebration of her life, a huge red balloon was passed between the 200+ guests; floating, bouncing, flying, teasing, playing, challenging. We kept the game alive together.

Sarah’s thirty+ year career as a teacher/director transformed the lives of countless actors, actor trainers and directors. Continuing in the tradition of familial apostology in acting, her knowledge was passed between those who were fortunate to have been taught and/or directed by her: starting at Kensington and Chelsea College in 1995, then at Royal Central School of Speech and Drama (RCSSD) on the MA in Actor Training and Coaching and the MA Acting (2005 – 2020) and with her companies Bold and Saucy (1996-2019) and BOLD (2020-). Her teaching has and continues to produce ripples of affect, passed on by the creatives whose practice she has influenced now scattered around the globe, many with leading positions in the field. However, like many practitioners, she never documented her practice and so we, her students, friends and colleagues, have come together to try to document it – to pass it on; a legacy project to celebrate her teaching. In the spirit of collective endeavour and reflecting the fragmented, multi-faceted and layered experience of teaching and learning, we share a pedagogy patchwork of signature exercises, life-changing feedback and observed qualities. 

Lisa Peck

Core ingredients

The are some core ingredients which make a standout and memorable teacher: the ability to be inventive, imaginative, and inspirational; to know when to challenge and push students that little bit further, when to nurture and when to balance praise with honest feedback; to be a generous communicator; someone who also learns from their students and continues to challenge and develop themselves; to be student centered, to listen, to give support and guidance but also to be boundaried. Sarah possessed all of these qualities. But there was one particular aspect of her work which made her especially impactful – her focus on collaboration. This was woven into everything she did as a teacher, trainer and director. It is evident in her expertise in the classroom, in the many shows she directed at Central and at her company BOLD where she continued to offer opportunities for her alumni to grow as professionals, making space for them to rehearse, refine their skills and create new and exciting work.

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Call for contributions about the work of Sarah Davey-Hull

This is an invitation to come together to pass on and archive the work of Sarah Davey-Hull who passed away in June.

Image courtesy of Royal Central School of Speech and Drama

Sarah was a teacher, trainer and director. She had a real passion for theatre and over many years developed her own approach creating innovative, sometimes flamboyant, experimental and always exciting work. 

As a teacher she inspired many who attended her classes with her own company BOLD, during her 15 years of teaching actors and actor- trainers at the Royal Central School of Speech and Drama, and as a freelancer all over the world.

Her teaching was infused with her own playful spark, an incredible eye for detail and desire to always bring out the best in those she worked with.

Whilst Sarah’s teaching has influenced many it was never documented. This wonderful creative has left us with a body of work which we would like to archive and pass on to other practitioners, actors and teachers. We will gather and curate examples of Sarah’s teaching to share on the Critical Pedagogy Theatre Dance and Performance Training open access blog strand during the months of September and October https://theatredanceperformancetraining.org/category/critical-pedagogy/

To  share your experience of working with Sarah you can submit any of the following:

  • An exercise.
  • Reflection of her teaching.
  • Exchanges in the rehearsal room.
  • Any wise words given as feedback.

The post should be no more than 800 words. It may be useful to follow these guidelines:

  • Time and place and project/class.
  • Purpose of the exercise.
  • What happened.
  • Why it was important to you.

Submit to: Lisa Peck at [email protected] who will curate and upload twice a month. Title the email: Sarah Davey-Hull – passing it on. We hope that this sharing might result in a small publication mapping Sarah’s extraordinary ability as a teacher and her contribution to acting pedagogy.

Amanda Brennan

(course leader, MA Acting for Screen, Royal Central School of Speech and Drama)

Lisa Peck

(University of Sussex)