Stanislavsky and The Media

The S Word and The Centre for Digital Storymaking, London South Bank University presents

The 2020 S Word symposium: Stanislavsky and The Media

@ London South Bank University, Thursday 23rd to Saturday 25th April 2020.

We aim to explore Stanislavsky’s relationship with and impact upon all aspects of the contemporary media – film, television, radio, electronic media, print and journalism, and via still and moving images, sound and music.

We now invite proposals for papers (20 minutes duration), practical workshops (40 minutes duration) and panel presentations (60 minutes duration with a minimum of three speakers). Please send a brief abstract (not more than 300 words) and a short biography to Professor Paul Fryer – ([email protected]), to arrive no later than Friday 29th November 2019.

Information on keynote and guest speakers, and details of booking arrangements will be published shortly.

Selected papers from this event will be published in the Spring 2021 edition of Stanislavski Studies (Taylor & Francis).

Please join us for our London 2020 event.

The S Word is an international research project that explores the relationship between Stanislavsky, his work and legacy, and all aspects of contemporary theatre and performance.

Call for Proposals: Actor Training, Teaching, and Specific Learning Differences/Disabilities

(Dr Petronilla Whitfield, Arts University Bournemouth UK)

Deadline for Proposals 15 December 2019

Call outline

This is a call for expressions of interest and proposals for chapter contributors in an edited book on actor training, voice, movement, education and learning differences /disabilities, neurodiversity. Following the recent publication of my book ‘Teaching Strategies for Neurodiversity and Dyslexia in Actor Training’ (Routledge 2019), I am now seeking ideas for potential chapters from teachers/ practitioners/authors regarding the development of their teaching in the support of Acting and Performance students/individuals with Specific Learning Differences/Disabilities. In particular, dissemination of practice is sought where the teaching directions are underpinned by research, theory, and scholarly investigation. It is important that Specific Learning Differences/Disabilities are not generalised, but detailed with specificity of their characteristics. Early researchers in this field are also invited to submit a proposal, as they are potentially important contributors to emerging pedagogical discussions and approaches.

Themes could include (but are not limited to):

• Descriptions of teaching interventions, rationale, process and outcomes, where teachers have recognised a problem or challenge and have carried out research, trials and transformation of their practice to support the neurodiverse, SpLD student’s/individual’s needs. (Descriptions of perceived failures are as valuable as successes).

• Critical analysis of pedagogy in actor training environments, historical and cultural contexts of actor training, and how Specific Learning Differences and neurodiversity is situated within that context

• An in-depth analysis of the arts-based discipline involved, and how the learning difference/style/disability can impact on embedded or adapted practice in that discipline

• The ethical and political concerns regarding the labelling of an individual with a SpLD, and how this might influence your practice/approach

• The foregrounding of the student voice and experience of those with SpLD, platforming student-led methods, autonomy, research and student- led teaching practices

• If you are a teacher with SpLD, (such as being dyslexic for example) , how that might inform/affect your teaching and your understanding for the individual student with learning challenges

• Development of inclusive assessment strategies, that do not unfairly disadvantage those with SpLD/neurodiversity and differing modes of learning

• The experience of Learning Support teachers/staff who have been involved in the teaching of acting performance students with SpLD and are researching and developing new practices in their field

• The experiences of coaches/teachers working with professional actors with SpLD and a dissemination of developing methods and reflection on endeavours to support those actors

Submitting a proposal

Preliminary conversations with potential contributors will help to develop the contents of the book, to submit to the publisher for review.

To signal your interest in making a contribution please contact Petronilla Whitfield for an initial exchange of ideas/thoughts, or email a proposal of 500- 1,000 words in length. Firm proposals must be received no later than the 15 December 2019 and sent, with a brief author biography, to the book’s editor, Dr Petronilla Whitfield ([email protected])

Cumbria Youth Dance collaboration with TDPT

5 tips to make the most of a blog entry

Topos is a year-long artistic collaboration between Cumbria Youth Dance Company and Wired Aerial Theatre, to create a suite of new work – 1 dance film & 2 performance pieces – on the theme of mountains. Exploring the relationship between Labanotation (a way of recording dance movement) and topos (a similar notation method used by climbers to record their routes), dancers will work on the Cumbrian fells and in the studio to explore the transition between vertical & horizontal, producing 3 unique pieces of choreography for sharing at Kendal Mountain Festival, in the gardens at Brantwood, Coniston during John Ruskin’s bicentenary celebrations, and at Lakes Alive festival. The first performance has already been seen on stage at The Lowry as part of U. Dance NW 2019.

Photo: Henry Iddon

Part of the project will involve the young dancers creating blog posts describing their training and explaining how they are using the inspiration of their native Cumbrian fells to create contemporary dance.

So: to celebrate this project and to kickstart the TDPT collaboration here are 5 top tips for developing a good blog entry:

  1. Think carefully about how you combine your media. Do you have images and/or short video you can use to complement your ideas in writing?
  2.  Be simple and natural with your writing – blogs can be informal and are often all the more engaging when they are. 
  3. Think of your audience – who are you speaking to?  In this example – for TDPT – it is a mix of readers from all over the world, so don’t assume everything will be understood and explain local terms or jargon (briefly though!)
  4. Keep things short and sweet. Blogs are often read while people are doing other things – so keep the message simple.
  5. Above all – have a clear focus, so you know what you are trying to say. For this project it could be answering a simple question: How can mountains and nature inspire a training in dance? 

And remember – I’ll be around for the next few months as part of the project team to help and advise. So please feel free to get in touch if you have any questions.

Jonathan Pitches ([email protected])

(TDPT co-editor and academic at Leeds University)